Calypso Cabaret Bangkok 2026: Show Times, Ticket Prices & Honest Guide

Most people walk into Calypso expecting a novelty and walk out having watched a company that has been refining the same 75 minutes since 1988.
That gap — between what the ticket suggests and what the room delivers — is the single most common thing first-time visitors describe afterwards. It is also the reason Calypso has outlasted every cabaret that opened alongside it in Bangkok.
This guide covers what you actually need before you go: both show times, what a ticket really costs against the box-office price, why the size of the theatre matters more than any other detail, and the handful of practical things that reliably trip visitors up. It also covers what most guides skip entirely — who the artists on that stage are, what your ticket supports, and the four-decade history that brought a cabaret company from a converted Sukhumvit cinema to a riverside warehouse.

Calypso show times — both of them, and which to pick
Calypso runs two performances every night: 7:15 PM and 9:00 PM.
The programme is identical. Same 16 acts, same cast, same production, same running time of roughly 75 minutes. Nobody gets a longer show, a different set list or a bonus number by picking one over the other. So the decision is not about the show — it is about the shape of your evening.
Planned Schedule
Show time | Best for | What to know |
|---|---|---|
| 7:15 PM | Families, first-timers, anyone with an early start tomorrow | Finishes around 8:30 PM with Asiatique still fully open. The busiest arrival window — Bangkok rush hour lands right on it. |
| 9:00 PM | Couples, dinner-first evenings | Lets you eat properly on the riverfront beforehand. Calmer entry. Finishes around 10:15 PM. |
Our recommendation for most travellers: the 7:15 PM first show. Not because the performance is better, but because of what sits either side of it. Asiatique The Riverfront runs until midnight, so an early show leaves you the boardwalk, the river bars and the Ferris wheel afterwards rather than a taxi queue. For families it is not close — a 10:15 PM finish followed by a 40-minute drive back to Sukhumvit is a difficult end to a day with children.
The one argument for the second show is dinner. Asiatique has around 40 restaurants, and eating well by the river before a 9:00 PM curtain is a genuinely good Bangkok evening.
If you are building a full day, Calypso slots neatly after almost anything. A morning at the Grand Palace and Wat Pho or an early start to the Damnoen Saduak Floating Market both finish with hours to spare.
Calypso Cabaret Show Bangkok
From ฿900 per person — TAT Licensed Operator · Instant WhatsApp confirmation
What Calypso tickets cost in 2026
Booking through us:
- ฿900 per person — one flat rate, all ages
- Box-office walk-up price — ฿1,200 per adult
- Optional private return hotel transfer — ฿1,500 per van, up to 9 people
That is a ฿300 saving per person, and for a family of four it is ฿1,200 back in your pocket — the price of a fifth ticket. Your ticket includes one complimentary drink served at your seat.
Children under 90 cm enter free, seated on a parent's lap with no separate seat. Everyone above that height pays the same ฿900 as an adult, which is unusually simple — most Bangkok attractions run three or four price tiers by height.
There are no booking fees and nothing to settle at the door. Note that some aggregator platforms advertise a headline discount and then add a service charge at checkout, which is how a "cheaper" ticket ends up costing more than the box office. Our ฿900 is the whole number.
The transfer is worth reading carefully: it is per van, not per person, and covers you in both directions. For a group of six that works out at ฿250 each for a return private transfer, and your driver waits through the show. Against two Grab journeys at Bangkok evening rates — one of them at 10:30 PM when the app surges — it is frequently the cheaper option as well as the calmer one.

The 540 seats: the detail that changes the whole evening
Here is the fact that decides whether Calypso is right for you, and almost nobody mentions it.
The Calypso Bangkok Theatre seats 540 people across 1,425 square metres.
For comparison, Pattaya's Alcazar Cabaret plays to a room of roughly 1,200. Phuket's Simon Cabaret is larger again than Calypso. Calypso is deliberately the intimate one of the three, and that single number explains most of what you will feel in the room.
What you gain. In a 540-seat house, the back row is where the middle of a big cabaret theatre would be. You can see the beadwork on a costume, the exact moment a comedy number lands on a performer's face, the precision of a hand position in the Thai classical piece. Cabaret is an art form built on detail at close range — the costumes are made to be seen, not merely glimpsed — and a smaller room is simply better suited to it. Guests who have seen both the Pattaya and Bangkok shows very often say the same thing: the big one is more spectacular, the small one is more affecting.
What you lose. Scale. There is no thirty-strong chorus line filling a stadium-width stage, because the stage is not stadium width. If your priority is sheer spectacle — the largest cast, the biggest sets, the widest formations — the Pattaya show does that better and costs less.
What it means practically. 540 seats across two performances is 1,080 seats a night for the whole of Bangkok. On weekends and through the November-to-February high season, that genuinely runs out. This is the real argument for booking ahead — not the ฿300, but the fact that turning up on a Saturday night in January and expecting a walk-up ticket is optimistic. The theatre also includes a separate 1,096-square-metre restaurant seating 200 with its own stage, which is where the pre-show Thai dinner service operates.
The artists on that stage
This is the part most guides leave out, and it is worth understanding before you go.
The performers at Calypso are kathoey — a Thai word for transgender women and, more broadly, feminine people assigned male at birth. In tourism English they are usually called "ladyboys", a term the venues themselves use and which many performers use about their own work. Whatever the label, the more useful description is simpler: they are professional stage artists, and most have trained for years.
Kathoey are not a novelty produced for the tourist trade. They are a long-standing and highly visible presence in Thai public life — in television, music, fashion, beauty, hospitality and the arts. That visibility is one of the genuine differences a visitor notices in Thailand, and it is not superficial.
Calypso is also a real career ladder rather than a curiosity. Angele Anang, who won season two of Drag Race Thailand and went on to international recognition, began her career on this stage. The model Mimi Tao, later the first transgender contestant on an international modelling competition, performed here early on. Australian photographer Polixeni Papapetrou documented the company as far back as 1991, and a 2005 ITV documentary, Middlesex, featured the show at length. Lady Gaga attended during her 2012 Born This Way Ball tour and spoke publicly afterwards about the performers' openness. Very few cabaret companies anywhere have that kind of record.
Thailand has moved further than any of its neighbours on legal recognition, too. On 23 January 2025 it became the first country in Southeast Asia to recognise marriage equality, which the United Nations in Thailand described as a landmark for the region. In the same month, the government made hormone therapy free for transgender people through the national health scheme.
It would be dishonest to stop the story there.
Thailand still has no legal gender recognition. A Gender Recognition Bill that would have allowed transgender people to change the title on their official documents was rejected by the House of Representatives in February 2024, by 257 votes to 154. The practical effect is this: a performer who has just held a room of 540 people for seventy-five minutes still carries an ID card that does not match who she is. At a bank, a hospital, an airport, a job interview, that gap reasserts itself. Workplace discrimination remains common enough that entertainment and hospitality are, for many, among the few fields offering a stable professional career.
Which is exactly why a company with Calypso's longevity matters more than a night out suggests. Thirty-eight years of continuous operation means salaried, skilled, respected work — for performers, choreographers, costume-makers, wig and makeup artists, technicians and front-of-house staff.
So when you buy a ticket you are not doing anyone a favour, and it would be patronising to frame it that way. You are paying a fair price to watch trained professionals do work they are good at. Watch it the way you would watch any good production: pay attention to the craft, applaud what earns it, and treat the performers you meet afterwards as the artists they are.
One small thing guests repeatedly say changed their evening: stay for the photographs and actually talk to them. Most speak good English, they are generally delighted to be asked about a costume, and it is the difference between having watched a spectacle and having met the people who made it.

From a Sukhumvit cinema to a riverside warehouse
Calypso's history is genuinely unusual, and it explains the production standard.
The company was founded in 1988 in a converted movie theatre on Sukhumvit Road, directed from the outset by the German television actor Hans Hoenicke. That makes it Bangkok's earliest cabaret group — it predates almost every venue now competing with it.
In 1992 it moved to the theatre at the Ambassador Hotel on Sukhumvit Soi 11, a room seating just 200 people. It later relocated again, to the Asia Hotel on Phaya Thai Road, where a generation of Bangkok visitors first saw it.
Then, in September 2012, Calypso moved to where it is now: the purpose-fitted Calypso Bangkok Theatre in Warehouse 3 at Asiatique The Riverfront. From 200 seats to 540, with a proper lighting grid, professional sound and the backstage space a 16-act revue actually needs.
Read that sequence again and notice what it is: a company that grew by nearly three times its capacity across three decades in a city where entertainment venues routinely fail inside two years. Nothing survives that long on novelty.
The one break in the record is worth stating plainly, because our product pages and other guides sometimes round it away. During the 2008 political crisis, Calypso's ticket sales fell by 90 per cent and the company kept performing. It took a global pandemic to actually stop it: the theatre closed in October 2020 and performances resumed in December 2022. Since then it has run its normal nightly schedule. That is the honest version, and it is a more impressive record than "never closed" — because it is true.
The 16 acts — what you will actually see
The format is a revue: 16 self-contained acts over roughly 75 minutes, each with its own costume design, staging and lighting, running continuously with no interval.
The programme travels deliberately. Broadway numbers, including material from Chicago. A Marilyn Monroe impersonation and a Carmen Miranda number, both long-standing fixtures. Elvis. Beyoncé, with the choreography and the costume reveal. K-pop routines cut with the precision you would expect from Seoul. Korean folk pieces. Japanese cultural numbers. Classical Asian music. Rhythm and blues, oldies, avant-garde staging, and Thai ballads.
And a traditional Thai Khon masked dance, which is quietly the hardest thing on the bill. Thai classical dance uses controlled hand and finger positions that take years to learn properly. The movement is slow, which means every imprecision is visible — there is nowhere to hide in that number. When it comes, watch the hands rather than the costume.
All acts are lip-synced. This is a cabaret, not a live singing concert, and it is worth saying because a small number of reviewers arrive expecting live vocals and mark the show down for it. A fair criticism you will occasionally read is that synchronisation on a given night is not perfect on every number. That is true of live lip-sync work everywhere, and in a 540-seat room you are close enough to notice it if you are looking for it. Most people stop looking within the first act, because the performance is in the bodies, the faces and the commitment rather than the mouths.
The other honest note: a host introduces segments between acts, and a minority of guests find this slows the pace. Others find it gives the room shape. It is a matter of taste rather than a defect.

Asiatique: the venue around the venue
Calypso does not sit in isolation, and the complex it lives in is half the reason to book the early show.
Asiatique The Riverfront opened on 27 April 2012 on the site of the former docks of the East Asiatic Company, a Danish trading firm established in 1897. The port ceased operations in 1947 and the warehouses fell into disuse for decades before redevelopment began in 2011. That history is still visible — the complex is built inside and around the original warehouse structures, right on the Chao Phraya, with temple spires lit on the far bank.
Today it holds around 1,500 shops and stalls and 40 restaurants, most of them inside the restored warehouses. Asiatique Sky, the Ferris wheel, stands 60 metres tall and is the tallest in Bangkok. The riverside boardwalk stays busy until midnight, there are no cover charges anywhere, and the river breeze makes it one of the few genuinely comfortable open-air evenings in the city.
Getting there. The best route is the one that avoids road traffic entirely: BTS to Saphan Taksin, Exit 2, walk to Sathorn Pier, and take the free Asiatique shuttle boat — about ten minutes on the river, and a pleasant ten minutes at that. From Siam or Sukhumvit the whole journey runs around 30–40 minutes.
By Grab or taxi, allow 30–60 minutes depending on traffic. The 7:15 PM show falls in Bangkok's peak evening rush, which is the single most common reason people arrive flustered. Our optional ฿1,500 per van return transfer (up to nine people) is the fix if you would rather not think about any of it, particularly for the ride home at 10:30 PM.
Warehouse 3 is clearly signposted from the main entrance. The Calypso box office opens roughly 45 minutes before each show — show your e-voucher on your phone (take a screenshot, the signal inside the complex can be patchy), collect your tickets, and go in.

The five things that catch visitors out
None of these will spoil your evening. All of them are trivially avoidable once someone tells you.
1. Bangkok traffic versus a 7:15 PM curtain
This is the number one problem, and it is not the theatre's fault. The first show starts squarely inside the evening rush. Guests who book a Grab at 6:15 PM for a 7:15 PM show frequently arrive at 7:10 PM having missed everything they wanted to see of Asiatique.
The fix: take the river. BTS to Saphan Taksin plus the free shuttle boat is immune to road traffic and takes 30–40 minutes reliably. Or book the transfer and leave the timing to your driver. Either way, aim to be at Asiatique 90 minutes before curtain if you want dinner, and 45 minutes before if you do not.
2. Latecomers are admitted, but cannot move to the next show
If you miss your start time you may still be let in, but you cannot switch to the later performance and there is no refund for a late arrival. With only two shows a night there is no flexibility in the schedule. This is the most expensive mistake available at Calypso and it is entirely preventable.
3. It is a theatre, not a dinner show
Your ticket covers the performance and one drink. It does not include dinner. Guests occasionally book expecting a dinner-and-show format and are surprised to find a straightforward theatre. If you want the full evening, either eat at one of Asiatique's 40 restaurants beforehand or ask us about the separate pre-show Thai set dinner at the Calypso restaurant, which runs in the adjoining 200-seat room with its own stage. Additional drinks at the theatre bar run about ฿150 for a beer.
4. Expect lip-sync, not live vocals
Say it plainly so nobody is disappointed: the entire show is lip-synced. That is the standard for the form across Thailand, and the artistry lives in choreography, costume, comic timing and physical performance. If you were hoping for live singing, this is not that show. Nearly every low review of Calypso comes from a visitor who did not know this in advance.
5. Decide about photo tips before you walk out
After the curtain, performers gather in the lobby in full costume for photographs. A tip of ฿100–200 per photo, in cash, directly to the performer, is customary — optional, but expected if you take the picture.
Nobody will chase you. But this is the single most common source of surprise for visitors who booked through platforms that never mentioned it: a family takes four photos assuming it is included, then faces a ฿600 moment with only a ฿1,000 note in their pocket. Bring ฿200–500 in small notes if you want photographs, or none at all if you would rather not. Both are entirely normal and the staff see both every night.

Calypso compared with Thailand's other cabaret shows
If you are travelling around Thailand you will meet several cabaret shows and they are not interchangeable. An honest comparison so you book the right one for where you actually are:
| Show | City | Price | Room size | The difference |
|---|---|---|---|---|
| Calypso Cabaret | Bangkok | ฿900 | 540 seats | Bangkok's oldest company, founded 1988. Intimate room, close-range detail, photography allowed. The Bangkok answer. |
| Alcazar | Pattaya | ฿450–600 | ~1,200 seats | The biggest and cheapest. Four show times a night, 400+ company. Pure scale. |
| Colosseum Show | Pattaya | from ฿800 | Smaller | Pattaya's more intimate alternative. Worth a second Pattaya evening. |
| Simon Cabaret | Phuket | ฿800–1,000 | Large | Phuket's equivalent, running since 1991. Book this if you are in Patong. |
The short version: if you are in Bangkok, see Calypso. There is no reason to travel two hours to Pattaya for a cabaret show when the country's oldest company performs nightly on the Bangkok riverfront. If your trip includes Pattaya anyway, Alcazar is worth an evening there for the sheer size of it — the two are complementary rather than competing.
A note on comparing prices online: cabaret tickets are frequently listed at inflated walk-up rates, and several booking platforms add a service fee after you have seen the headline number. At ฿900 all-in you are paying a genuine agent rate, with nothing added at checkout and nothing to settle at the door.
👉 See Calypso show times and book your seats →
Making a full Bangkok day of it
Because Calypso is a 75-minute evening product with a 7:15 PM start, it is one of the easiest things in Bangkok to build a day around — unlike the long dinner-cruise-and-show formats that swallow five hours.
The combination we are asked for most: a morning at the Grand Palace and Wat Pho, which finishes by early afternoon, a rest at the hotel through the worst of the heat, then the river route to Asiatique for the 7:15 PM show. That is a full day covering Bangkok's most important religious site and its longest-running theatre company, and it ends with a riverside walk.
The other strong pairing is the Damnoen Saduak Floating Market and Maeklong Railway Market tour, which departs at 7:00 AM and has you back by around 2:00 PM — leaving the entire evening free without any rush at all.
If you are in Bangkok for several nights, Safari World is best kept to its own day since it runs 9:00 AM to 5:00 PM and is a long way out of the city. And if you would rather have your dinner on the water than beside it, our Bangkok dinner cruise guide compares the six boats on the Chao Phraya — several of them board from the same stretch of river.
Any of these can be combined into a single itinerary. Message us and we will build the day around your show time rather than the other way round.
What our guests say
"We had one evening left in Bangkok and could not decide between a cruise and the cabaret. Choosing Calypso was the right call. The theatre is small enough that we could see everything from row seven — the Thai dance number was extraordinary, my husband's favourite was the Chicago piece. Our two boys, nine and twelve, were completely absorbed and had no idea it was 'meant' to be a grown-up thing. Trip Thai Tour warned us about the tips for photos beforehand, so we had small notes ready and took three pictures with the cast at the end. Take the river boat instead of a taxi — we were there in half an hour while friends of ours sat in traffic for an hour."
— Anita and Rajiv S., Bengaluru, India · Family of four, 7:15 PM show
Book your Calypso Cabaret tickets
Tickets are ฿900 per person — a flat rate for all ages, ฿300 below the ฿1,200 box-office price — including one complimentary drink. Choose the 7:15 PM or 9:00 PM show, and add the optional private return hotel transfer at ฿1,500 per van for up to nine people. Your e-voucher arrives on WhatsApp and you show it on your phone at the Warehouse 3 box office.
With only 540 seats and two performances a night, weekends and high-season dates do sell out — book at least 24 hours ahead.
👉 Check availability and book Calypso Cabaret →
Prefer to ask something first? Message us on WhatsApp at +66 89 949 6235 and we will answer directly — no call centre, no bot.
We are Trip Thai Tour, a Thai tour operator licensed by the Tourism Authority of Thailand — TAT Licence No. 14/04232, independently verifiable on the official TAT tour operator registry. You can read more about who we are and how we work, see the venue's own details on the official Calypso Cabaret site, and the company's documented history on Wikipedia.
Calypso Cabaret Show Bangkok
From ฿900 per person · TAT Licensed No. 14/04232 · ⭐ 4.0 (186 reviews)
Frequently asked questions
Frequently Asked Questions
Calypso Cabaret runs two performances every night: the first show at 7:15 PM and the second show at 9:00 PM. Both run the identical 16-act programme with the same cast and the same production, so neither show gives you more than the other. Each lasts roughly 75 minutes with no interval. Arrive at Warehouse 3 at least 15 minutes before your show time to collect tickets, and ideally 30–45 minutes before if you want to see anything of Asiatique first. Bangkok's evening traffic makes the 7:15 PM show the one people most often arrive late for.
The walk-up price at the Calypso box office is ฿1,200 per adult. Booking through Trip Thai Tour, the price is ฿900 per person — one flat rate regardless of age, saving ฿300 each. Children under 90 cm enter free on a parent's lap with no separate seat. Your ticket includes one complimentary drink served at your seat. There are no booking fees added at checkout and nothing to settle at the door. The only optional spend at the venue is a tip if you photograph the performers afterwards, typically ฿100–200 per photo.
Calypso performs at the Calypso Bangkok Theatre inside Warehouse 3 at Asiatique The Riverfront, 2194 Charoen Krung Road, Wat Phraya Krai, Bang Kho Laem, Bangkok 10120. The simplest route from central Bangkok is BTS to Saphan Taksin station, Exit 2, then the free Asiatique shuttle boat from Sathorn Pier — about ten minutes on the Chao Phraya. Warehouse 3 is signposted from the main Asiatique entrance. Grab and taxi work too, but allow 30–60 minutes in evening traffic, especially for the 7:15 PM show.
The Calypso Bangkok Theatre seats 540 people across 1,425 square metres — a genuinely mid-sized room rather than a cavernous one. This matters more than most guides explain. In a 540-seat house you are close enough to read facial expressions and see costume detail from almost any row, which is precisely what this art form is about. Your ticket is confirmed with the theatre before you arrive, so there is no sold-out risk. Exact row placement is handled by front-of-house when you collect your tickets at the box office.
The show runs approximately 75 minutes across 16 acts, with no interval. Some visitors report closer to 80 minutes depending on the pace on the night. Allow around two hours at Warehouse 3 in total once you include arrival, ticket collection and seating. If you plan to have dinner at Asiatique beforehand, arrive at the complex 90 minutes to two hours before your show time. The 16-act structure is deliberate — no single style stays long enough to lose the room, and there is no filler.
Yes. The show contains no nudity and no adult content — it is a costume, dance and impersonation revue, not burlesque, and Thai families attend regularly. Children from around age five or six engage readily with the costumes, lighting and choreography. Audience interaction is minimal, so nothing is asked of children or nervous parents. Children under 90 cm enter free on a parent's lap with no separate seat; everyone else pays the flat ฿900 rate. For families, book the 7:15 PM first show so younger children are not out past 10:30 PM.
Photography is permitted during the performance at Calypso, which is not true of every Thai cabaret theatre. The stage is elevated and brightly lit, so smartphone photos come out well even from mid-room. Video recording restrictions can apply on particular numbers — follow any announcement from the stage. The better photographs come afterwards, when performers move to the lobby area outside the theatre in full costume. A tip of roughly ฿100–200 per photo is customary, paid in cash directly to the performer, and it is entirely optional.
It is optional but expected if you take a photograph. After the final curtain, performers gather in the lobby in full costume and guests are welcome to pose with them. The customary tip is around ฿100–200 per photo, in cash, handed directly to the performer. Nobody will follow you if you decline — a smile and a thank you is fine. The complaints you occasionally read online are almost never about the amount; they come from visitors who posed for four or five photos assuming it was included. Decide before you walk out and carry small notes.
Your ฿900 ticket covers entry to your chosen show time, a confirmed seat in the 540-seat theatre, and one complimentary drink served at your seat. You receive an e-voucher by WhatsApp which you show on your phone at the Warehouse 3 box office to collect physical tickets — no printing needed. Dinner, additional drinks, hotel transfer and post-show photo tips are not included. Additional drinks at the venue run around ฿150 for a beer and a little more for cocktails, payable in cash or card at the bar.
The programme is identical, so this is purely about how you want your evening to run. The 7:15 PM first show suits families and anyone who wants Asiatique open in front of them afterwards — the riverfront stays lively until midnight and you finish around 8:30 PM. The 9:00 PM second show suits couples who want a full riverside dinner first, and the room is often slightly calmer. If you are travelling with young children or catching an early flight the next day, take the first show without hesitation.
The reliable route avoids traffic entirely: BTS Skytrain to Saphan Taksin station, leave by Exit 2, walk to Sathorn Pier, and board the free Asiatique shuttle boat which runs on the river directly to the complex. From Siam or Sukhumvit, allow roughly 30–40 minutes door to door. By Grab or taxi, allow 30–60 minutes depending on traffic — the 7:15 PM show falls squarely in Bangkok's evening rush. Our optional private return transfer is ฿1,500 per van for up to nine people and removes the guesswork in both directions.
They are different products rather than better or worse. Alcazar in Pattaya is the bigger spectacle — around 1,200 seats, over 400 staff and four show times a night, with tickets from ฿450. Calypso is Bangkok's oldest cabaret company, founded in 1988, performing in a more intimate 540-seat room where proximity to the stage is the point. If you are already in Bangkok, Calypso is the obvious choice and needs no day trip. If you are spending a night in Pattaya anyway, see Alcazar there. Both are worth seeing if your itinerary covers both cities.
Yes, and more so than most Bangkok attractions. The theatre holds 540 people — less than half the capacity of Pattaya's largest cabaret — and there are only two performances a night. On weekends and through the November-to-February high season, shows do sell out. Booking ahead also secures the ฿900 rate instead of ฿1,200 at the door. We ask for a minimum of 24 hours' notice so we can confirm your seats with the theatre and send your e-voucher. Same-day requests are worth messaging us about, but cannot be guaranteed.
Smart casual is right. There is no enforced dress code, but the theatre is a good deal more polished than a shopping complex and beachwear looks out of place. The auditorium is strongly air-conditioned, so bring a light layer if you feel the cold — this catches out visitors who come straight from a hot evening on the riverfront. Comfortable shoes help, since Asiatique is a large open-air site and you will walk more than you expect between the pier, the restaurants and Warehouse 3.
Once, and it is worth knowing the honest version. Calypso has performed nightly since 1988 through a currency crisis, repeated political upheaval and a 2008 crisis that cut ticket sales by 90 per cent. The single genuine break was the COVID-19 pandemic, which closed the theatre in October 2020; performances resumed in December 2022. Since then it has run its normal nightly schedule. That is a stronger record than almost any entertainment venue in Bangkok, and it is why booking here carries very little operational risk.
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